| Titre : |
Michäel Borremans : eating the beard |
| Type de document : |
texte imprimé |
| Auteurs : |
Michäel Borremans (1963-....), Auteur |
| Editeur : |
Ostfildern : Hatje Cantz |
| Année de publication : |
c2011 |
| Importance : |
1 vol. (223 p.) |
| Présentation : |
ill en coul. couv. ill. |
| Format : |
30 cm |
| ISBN/ISSN/EAN : |
978-3-7757-2835-5 |
| Langues : |
Anglais (eng) Allemand (ger) |
| Index. décimale : |
MON Monographie |
| Résumé : |
Borremans’s drawings, paintings, and films are closely intertwined; the artist operates in an area bordered by all the various media. His scenarios are full of references and allusions that afford viewers a variety of possible interpretations while resisting being joined together to form a definitive whole. What are actually mutually exclusive elements, such as realism and fantasy, the ephemeral and the manifest, irony and confusion, are closely interwoven in his visual worlds, and there is only a fine line between a recognizable, everyday reality and a bizarre dream world. |
| Note de contenu : |
Paintings, drawings, and films – including new paintings of 2009/10 |
Michäel Borremans : eating the beard [texte imprimé] / Michäel Borremans (1963-....), Auteur . - Ostfildern : Hatje Cantz, c2011 . - 1 vol. (223 p.) : ill en coul. couv. ill. ; 30 cm. ISBN : 978-3-7757-2835-5 Langues : Anglais ( eng) Allemand ( ger)
| Index. décimale : |
MON Monographie |
| Résumé : |
Borremans’s drawings, paintings, and films are closely intertwined; the artist operates in an area bordered by all the various media. His scenarios are full of references and allusions that afford viewers a variety of possible interpretations while resisting being joined together to form a definitive whole. What are actually mutually exclusive elements, such as realism and fantasy, the ephemeral and the manifest, irony and confusion, are closely interwoven in his visual worlds, and there is only a fine line between a recognizable, everyday reality and a bizarre dream world. |
| Note de contenu : |
Paintings, drawings, and films – including new paintings of 2009/10 |
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