Ouverture
lundi, mercredi, vendredi
9h30-12h30 - 13h30-17h30
mardi et jeudi
13h-20h
lundi, mercredi, vendredi
9h30-12h30 - 13h30-17h30
mardi et jeudi
13h-20h
fermeture durant les vacances scolaires.
Bibliotheque accessible au public exterieur sur rendez-vous.
Bibliotheque accessible au public exterieur sur rendez-vous.
Auteur Jordan Kantor
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Documents disponibles écrits par cet auteur (1)
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Titre : Renë Daniëls : fragments from an unfinished novel Type de document : texte imprimé Auteurs : Angela M. Bartholomew, Auteur ; Devrim Bayar, Auteur ; Paul Bernard, Auteur ; Jordan Kantor, Auteur Editeur : London : Koenig Books Année de publication : 2018 Importance : 1 vol. (254 p.) Présentation : ill. en coul., couv. ill. en noir Format : 27 cm ISBN/ISSN/EAN : 978-3-96098-352-1 Note générale : Catalogue publié à l'occasion de l'exposition du même nom au MAMCO du 27 février au 5 mai 2019 Langues : Anglais (eng) Index. décimale : MON Monographie Résumé : René Daniëls occupies a prominent place in the history of contemporary art from the latter half of the 20th century, despite the fact that his career was abruptly interrupted in 1987 after he suffered a stroke. Emerging in the late 1970s, when figurative and expressive painting once again became popular, Daniëls soon developed an original, personal language. Although he enjoyed early recognition, Daniëls had no qualms about experimenting with different pictorial styles. Nevertheless, certain motifs recur under constantly changing forms, following an associative, dream-like logic. Not unlike a composer, Daniëls devises variations on a theme. From 1984 onwards, one motif was to play a dominant role: that of an exhibition room seen in perspective. This form, resembling a bow tie, is reproduced in compositions in which he plays with mirroring effects, overlapping layers, or changes of direction.
Inspired by the title of one of the rare texts written by Daniëls, the exhibition Fragments from an Unfinished Novel explores the phenomenon of déjà vu and the relation between perception and memory, which lie at the heart of his practice. Including historic paintings and several works never previously exhibited, the exhibition recounts the development of Daniëls’ visual language by exploring the effects of repetition and variation inherent in his work. A wide selection of drawings completes the presentation, offering a closer understanding of the evolution of his vocabulary.Renë Daniëls : fragments from an unfinished novel [texte imprimé] / Angela M. Bartholomew, Auteur ; Devrim Bayar, Auteur ; Paul Bernard, Auteur ; Jordan Kantor, Auteur . - London : Koenig Books, 2018 . - 1 vol. (254 p.) : ill. en coul., couv. ill. en noir ; 27 cm.
ISBN : 978-3-96098-352-1
Catalogue publié à l'occasion de l'exposition du même nom au MAMCO du 27 février au 5 mai 2019
Langues : Anglais (eng)
Index. décimale : MON Monographie Résumé : René Daniëls occupies a prominent place in the history of contemporary art from the latter half of the 20th century, despite the fact that his career was abruptly interrupted in 1987 after he suffered a stroke. Emerging in the late 1970s, when figurative and expressive painting once again became popular, Daniëls soon developed an original, personal language. Although he enjoyed early recognition, Daniëls had no qualms about experimenting with different pictorial styles. Nevertheless, certain motifs recur under constantly changing forms, following an associative, dream-like logic. Not unlike a composer, Daniëls devises variations on a theme. From 1984 onwards, one motif was to play a dominant role: that of an exhibition room seen in perspective. This form, resembling a bow tie, is reproduced in compositions in which he plays with mirroring effects, overlapping layers, or changes of direction.
Inspired by the title of one of the rare texts written by Daniëls, the exhibition Fragments from an Unfinished Novel explores the phenomenon of déjà vu and the relation between perception and memory, which lie at the heart of his practice. Including historic paintings and several works never previously exhibited, the exhibition recounts the development of Daniëls’ visual language by exploring the effects of repetition and variation inherent in his work. A wide selection of drawings completes the presentation, offering a closer understanding of the evolution of his vocabulary.Réservation
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Code-barres Cote Support Localisation Section Disponibilité 10986 MON DAN Livre Bibliothèque de l'EESI Monographie Disponible


