Teeth gums machines future society / Lili Reynaud Dewar

Public ISBD Titre : Teeth gums machines future society : [exhibitions, Kunstverein in Hamburg, 24 September-20 November 2016 ; Museion, Bolzano, 28 January-5 May 2017 ; Vleeshal, Middelburg, 25 June-1 October 2017] ; Roos Gortzak, Bettina Streinbrügge, Letizia Ragaglia] Type de document : texte imprimé Auteurs : Lili Reynaud Dewar (1975-....), Auteur ; Kunstverein in Hamburg, Collectivité éditrice ; Roos Gortzak (1973-....), Directeur de publication ; Bettina Steinbrügge (1970-....), Directeur de publication ; Letizia Ragaglia (1969-....), Directeur de publication ; Museion, Collectivité éditrice ; De Vleeshal, Collectivité éditrice Editeur : Berlin : Hatje Cantz Verlag Année de publication : 2018 Importance : 1 vol. (232 p.) Présentation : ill. en coul., couv. ill. en coul. Format : 26 cm ISBN/ISSN/EAN : 978-3-7757-4385-3 Prix : 40 EUR Note générale : Publié à l'occasion de l'exposition à la Kunstverein de Hamburg, du 24 septembre au 20 novembre 2016 ; au Museion à Bolzano, du 28 janvier au 5 mai2017 ; à Vleeshal, Middelburg, du 25 juin au 1er octobre 2017 Langues : Anglais (eng) Mots-clés : installation  performance  cyborg  identité Index. décimale : MON Monographie Résumé : How do we define cultural, social, and emotional identity? What influences their creation? Throughout her entire oeuvre, the French artist Lili Reynaud-Dewar (*1975, La Rochelle) circles these questions, while at the same drawing upon the twentieth century’s artistic and social subcultures. One major element of Teeth, Gums, Machines, Future, Society (the name of her exhibition, performance, and catalogue) are so-called grills: dental jewelry made of precious metals. They are almost like holy relics in rap and hip-hop culture and have thus become status symbols. As a white, European, female artist who has adopted grills, Dewar not only confronts questions about cultural appropriation and its legitimation, but she also expands the theme to include the cyborg, as the blend of human, machine, and nature, in which normative boundaries such as class, race, and gender recede into the background.In the conversations the artist conducts with the performers, this publication works through the central themes of her oeuvre. The book also contains excerpts from A Cyborg Manifesto by the feminist Donna Haraway, as well as film stills, photographs of her show and performances in the different exhibition spaces.How do we define cultural, social, and emotional identity? What influences their creation? Throughout her entire oeuvre, the French artist LILI REYNAUD-DEWAR (*1975, La Rochelle) circles these questions, while at the same drawing upon the twentieth century’s artistic and social subcultures. Teeth gums machines future society : [exhibitions, Kunstverein in Hamburg, 24 September-20 November 2016 ; Museion, Bolzano, 28 January-5 May 2017 ; Vleeshal, Middelburg, 25 June-1 October 2017] ; Roos Gortzak, Bettina Streinbrügge, Letizia Ragaglia] [texte imprimé] / Lili Reynaud Dewar (1975-....), Auteur ; Kunstverein in Hamburg, Collectivité éditrice ; Roos Gortzak (1973-....), Directeur de publication ; Bettina Steinbrügge (1970-....), Directeur de publication ; Letizia Ragaglia (1969-....), Directeur de publication ; Museion, Collectivité éditrice ; De Vleeshal, Collectivité éditrice . - Berlin : Hatje Cantz Verlag, 2018 . - 1 vol. (232 p.) : ill. en coul., couv. ill. en coul. ; 26 cm. ISBN : 978-3-7757-4385-3 : 40 EUR Publié à l'occasion de l'exposition à la Kunstverein de Hamburg, du 24 septembre au 20 novembre 2016 ; au Museion à Bolzano, du 28 janvier au 5 mai2017 ; à Vleeshal, Middelburg, du 25 juin au 1er octobre 2017 Langues : Anglais (eng) Mots-clés : installation  performance  cyborg  identité Index. décimale : MON Monographie Résumé : How do we define cultural, social, and emotional identity? What influences their creation? Throughout her entire oeuvre, the French artist Lili Reynaud-Dewar (*1975, La Rochelle) circles these questions, while at the same drawing upon the twentieth century’s artistic and social subcultures. One major element of Teeth, Gums, Machines, Future, Society (the name of her exhibition, performance, and catalogue) are so-called grills: dental jewelry made of precious metals. They are almost like holy relics in rap and hip-hop culture and have thus become status symbols. As a white, European, female artist who has adopted grills, Dewar not only confronts questions about cultural appropriation and its legitimation, but she also expands the theme to include the cyborg, as the blend of human, machine, and nature, in which normative boundaries such as class, race, and gender recede into the background.In the conversations the artist conducts with the performers, this publication works through the central themes of her oeuvre. The book also contains excerpts from A Cyborg Manifesto by the feminist Donna Haraway, as well as film stills, photographs of her show and performances in the different exhibition spaces.How do we define cultural, social, and emotional identity? What influences their creation? Throughout her entire oeuvre, the French artist LILI REYNAUD-DEWAR (*1975, La Rochelle) circles these questions, while at the same drawing upon the twentieth century’s artistic and social subcultures.

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