Evolutionary Robotics / Stefano Nolfi

Public ISBD Titre : Evolutionary Robotics : The biology, intelligence, and technology of self-organizing machines Type de document : texte imprimé Auteurs : Stefano Nolfi, Auteur ; Dario Floreano, Auteur Editeur : MIT Press Année de publication : 2000 Importance : 315 p Présentation : ill. en noir Format : 23 cm ISBN/ISSN/EAN : 0-262-64056-2 Note générale : Bibliogr. Index Langues : Anglais (eng) Mots-clés : Robots Index. décimale : SCI sciences Résumé : La biologie, l'intelligence et la technologie des Machines auto-organisées Evolutionary Robotics : The biology, intelligence, and technology of self-organizing machines [texte imprimé] / Stefano Nolfi, Auteur ; Dario Floreano, Auteur . - MIT Press, 2000 . - 315 p : ill. en noir ; 23 cm. ISBN : 0-262-64056-2 Bibliogr. Index Langues : Anglais (eng) Mots-clés : Robots Index. décimale : SCI sciences Résumé : La biologie, l'intelligence et la technologie des Machines auto-organisées

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Group Cognition / Gerry Stahl

Public ISBD Titre : Group Cognition : Computer Support for Building Collaborative Knowledge Type de document : texte imprimé Auteurs : Gerry Stahl, Auteur Editeur : MIT Press Année de publication : 2006 Importance : 510 p Présentation : ill.n&b. Format : 24 cm ISBN/ISSN/EAN : 0-262-19539-9 Langues : Anglais (eng) Index. décimale : COM THE théorie de la communication Group Cognition : Computer Support for Building Collaborative Knowledge [texte imprimé] / Gerry Stahl, Auteur . - MIT Press, 2006 . - 510 p : ill.n&b. ; 24 cm. ISBN : 0-262-19539-9 Langues : Anglais (eng) Index. décimale : COM THE théorie de la communication

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Object to be destroyed / Pamela M. Lee

Public ISBD Titre : Object to be destroyed : the work of Gordon Matta-Clark Type de document : texte imprimé Auteurs : Pamela M. Lee, Auteur ; Gordon Matta-Clark (1945-), Auteur Editeur : MIT Press Année de publication : c2000 Importance : xx, 280 p. Présentation : ill. Format : 24 cm ISBN/ISSN/EAN : 0-262-12220-0 Langues : Anglais (eng) Langues originales : Anglais (eng) Index. décimale : MON Monographie Object to be destroyed : the work of Gordon Matta-Clark [texte imprimé] / Pamela M. Lee, Auteur ; Gordon Matta-Clark (1945-), Auteur . - MIT Press, c2000 . - xx, 280 p. : ill. ; 24 cm. ISBN : 0-262-12220-0 Langues : Anglais (eng) Langues originales : Anglais (eng) Index. décimale : MON Monographie

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Protocol / Alexander R Galloway

Public ISBD Titre : Protocol : How control exists after decentralization Type de document : texte imprimé Auteurs : Alexander R Galloway, Auteur Editeur : MIT Press Année de publication : 2004 Importance : 267 p Présentation : ill.n&b. Format : 22 cm Note générale : a Leonardo Book Langues : Anglais (eng) Index. décimale : COM THE théorie de la communication Résumé : Is the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol Alexander Galloway argues that the founding principle of the Net is control, not freedom, and that the controlling power lies in the technical protocols that make network connections (and disconnections) possible. He does this by treating the computer as a textual medium that is based on a technological language, code. Code, he argues, can be subject to the same kind of cultural and literary analysis as any natural language; computer languages have their own syntax, grammar, communities, and cultures. Instead of relying on established theoretical approaches, Galloway finds a new way to write about digital media, drawing on his backgrounds in computer programming and critical theory. "Discipline-hopping is a necessity when it comes to complicated socio-technical topics like protocol," he writes in the preface. Galloway begins by examining the types of protocols that exist, including TCP/IP, DNS, and HTML. He then looks at examples of resistance and subversion--hackers, viruses, cyberfeminism, Internet art--which he views as emblematic of the larger transformations now taking place within digital culture. Written for a nontechnical audience, Protocol serves as a necessary counterpoint to the wildly utopian visions of the Net that were so widespread in earlier days. Note de contenu : Internet est-il libre ou sous-contrôle? Protocol : How control exists after decentralization [texte imprimé] / Alexander R Galloway, Auteur . - MIT Press, 2004 . - 267 p : ill.n&b. ; 22 cm. a Leonardo Book Langues : Anglais (eng) Index. décimale : COM THE théorie de la communication Résumé : Is the Internet a vast arena of unrestricted communication and freely exchanged information or a regulated, highly structured virtual bureaucracy? In Protocol Alexander Galloway argues that the founding principle of the Net is control, not freedom, and that the controlling power lies in the technical protocols that make network connections (and disconnections) possible. He does this by treating the computer as a textual medium that is based on a technological language, code. Code, he argues, can be subject to the same kind of cultural and literary analysis as any natural language; computer languages have their own syntax, grammar, communities, and cultures. Instead of relying on established theoretical approaches, Galloway finds a new way to write about digital media, drawing on his backgrounds in computer programming and critical theory. "Discipline-hopping is a necessity when it comes to complicated socio-technical topics like protocol," he writes in the preface. Galloway begins by examining the types of protocols that exist, including TCP/IP, DNS, and HTML. He then looks at examples of resistance and subversion--hackers, viruses, cyberfeminism, Internet art--which he views as emblematic of the larger transformations now taking place within digital culture. Written for a nontechnical audience, Protocol serves as a necessary counterpoint to the wildly utopian visions of the Net that were so widespread in earlier days. Note de contenu : Internet est-il libre ou sous-contrôle?

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The Cognition of Basic Musical structures / Daniel Temperley

Public ISBD Titre : The Cognition of Basic Musical structures Type de document : texte imprimé Auteurs : Daniel Temperley, Auteur Editeur : MIT Press Année de publication : 2001 Importance : 404 p Présentation : ill.n&b Format : 23 cm ISBN/ISSN/EAN : 0-262-70105-7 Prix : 21 eur Langues : Anglais (eng) Index. décimale : SON son/musique Résumé : In this book David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension. Note de contenu : système de "règles de préférence". six sortes de structures musicales. The Cognition of Basic Musical structures [texte imprimé] / Daniel Temperley, Auteur . - MIT Press, 2001 . - 404 p : ill.n&b ; 23 cm. ISBN : 0-262-70105-7 : 21 eur Langues : Anglais (eng) Index. décimale : SON son/musique Résumé : In this book David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension. Note de contenu : système de "règles de préférence". six sortes de structures musicales.

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The Handbook of Brain Theory and Neural Networks / Michael A. Arbib

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