Ouverture
lundi, mercredi, vendredi
9h30-12h30 - 13h30-17h30
mardi et jeudi
13h-20h
lundi, mercredi, vendredi
9h30-12h30 - 13h30-17h30
mardi et jeudi
13h-20h
fermeture durant les vacances scolaires.
Bibliotheque accessible au public exterieur sur rendez-vous.
Bibliotheque accessible au public exterieur sur rendez-vous.
Éditeur The MIT Press
|
localisé à :
Cambridge(Mass.)
|
Documents disponibles chez cet éditeur (2)
Ajouter le résultat dans votre panier Affiner la recherche
Titre : Absence of clutter : minimal writing as art and literature Type de document : texte imprimé Auteurs : Paul Stephens (1974-....), Auteur Editeur : Cambridge(Mass.) : The MIT Press Année de publication : 2020 Importance : 280 pages Présentation : illustrations Format : 24 cm ISBN/ISSN/EAN : 978-0-262-04367-0 Prix : 28 EUR Note générale : Includes bibliographical references (pages 225-273) and index Langues : Anglais (eng) Mots-clés : art conceptuel poésie concrète Index. décimale : POE poésie Résumé : This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art. Absence of clutter : minimal writing as art and literature [texte imprimé] / Paul Stephens (1974-....), Auteur . - Cambridge(Mass.) : The MIT Press, 2020 . - 280 pages : illustrations ; 24 cm.
ISBN : 978-0-262-04367-0 : 28 EUR
Includes bibliographical references (pages 225-273) and index
Langues : Anglais (eng)
Mots-clés : art conceptuel poésie concrète Index. décimale : POE poésie Résumé : This book offers the first comprehensive critical account of minimal writing-works of text art, visual literature and poetry that are generally shorter than a sentence. Minimal writing can be beguilingly simple on the surface, but it can also present extreme interpretive challenges. Post-1960s visual art is strongly characterized by the "linguistic turn," and artists such as Lawrence Weiner, Carl Andre, Dan Graham, Joseph Kosuth, Lucy Lippard and Jenny Holzer built highly visible careers from text-based art. Stephens argues that minimal poets working during this same period produced work of equal complexity and power, and shows how minimal writing has enjoyed a recent resurgence among writers working with emergent publication platforms, as well as among those working with computer code. The rise of minimalism in the 1960s can also be understood in relation to new developments in media. Whereas many 60s pop artists and New York School poets gleefully included the detritus of mass culture in their work, minimal and conceptual artists and writers stripped language down to its most basic components. Presented is a pre-history of minimal writing beginning with modernism and continuing through concrete poetry in the 1950s, but the bulk of the book centers on a careful media-archival account of post-1965 poetry and text art. Réservation
Réserver ce document
Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité 12253 POE STE Livre Bibliothèque de l'EESI Littérature Disponible
Titre : The new media reader Type de document : texte imprimé Auteurs : Nick Montfort, Auteur Editeur : Cambridge(Mass.) : The MIT Press Année de publication : cop. 2003 Importance : 1 vol. (XV-823 p.) Présentation : ill., couv. ill. en coul. Format : 24 cm Accompagnement : 1 CD-ROM ISBN/ISSN/EAN : 0-262-23227-8 Langues : Anglais (eng) Index. décimale : NUM Art Numérique Résumé : Cet ouvrage collecte les textes, vidéos et programmes informatiques qui jalonne l'histoire et place les travaux dans leur contexte historique. Ils ont été écrits entre la seconde guerre mondiale et l'émergence du WWW. The new media reader [texte imprimé] / Nick Montfort, Auteur . - Cambridge(Mass.) : The MIT Press, cop. 2003 . - 1 vol. (XV-823 p.) : ill., couv. ill. en coul. ; 24 cm + 1 CD-ROM.
ISBN : 0-262-23227-8
Langues : Anglais (eng)
Index. décimale : NUM Art Numérique Résumé : Cet ouvrage collecte les textes, vidéos et programmes informatiques qui jalonne l'histoire et place les travaux dans leur contexte historique. Ils ont été écrits entre la seconde guerre mondiale et l'émergence du WWW. Réservation
Réserver ce document
Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité 00641 NUM MON Livre Bibliothèque de l'EESI Art Numérique Disponible


